Vegetables

By Gwen Ashley Walters | FEBRUARY 22, 2009 | NEWS & NIBBLES

pineappleroomMy mouth is wide open, I’m flat on my back and two pairs of hands are inside my mouth. One of those hands is holding a drill. “So,” my dentist asks nonchalantly, “How’d you get that job?”

He’s referring to the food critic part of my multi-pronged culinary career. Unlike him, I need multiple streams of income to add up to a viable career.

Food writing doesn’t pay much. Neither does cookbook authoring, most chef positions and pretty much any singular focused culinary skill. But add them all up, and I can cobble together a decent paycheck. And generally a full tummy.

After my mouth is safe from prying hands, drills and syringes filled with lidocaine, I answer his question: The same way you got your job — I went to school, studied hard, got a degree, and started applying my craft. Duh!

OK, I didn’t say it that directly (I do have to go back to see him, after all) but it struck me as funny that my highly skilled dentist (and he is a specialist, not a general practitioner) was asking me how I scored the enviable job of eating for a living.

Truth is, it’s a legitimate question. Most people want to know how the heck you get a food critic position. And the reality is that in these times, anyone can become a food critic. There are TONS of blogs written by people who say they are food critics. (Although, I’m not sure about the guy who wrote “I ate here once and never will return.”)

Professional critics don’t have the luxury of passing up the second and third visits, no matter how terrible the first visit was. But there is room for all of us — the professional, the lay person, the kid (did you see the NY Times article about the 12-year old critic?)

Seriously…. we’re not talking brain surgery, rocket science or solving world peace. We’re talking about food. If you want to write about food (and get paid for it), start by writing. A blog. An article that you submit to your local publications with a letter of introduction. Just start writing. Oh, and eating. Actually, it’s eating, then writing.

By Gwen Ashley Walters | OCTOBER 02, 2008 | NEWS & NIBBLES

Food and politics are a recipe for indigestion, but I have to mix them just for a minute. I am a flag-waving, card-carrying independent, and usually, I keep my political opinions to myself, but today, I feel compelled to say something.

I’m not sure our elected officials are in touch with reality. I interviewed a woman yesterday for a story. She owns a small food business. She had just received a letter from her bank announcing that her line of credit was frozen. Kaput.

She needs that credit to make it through the holiday season — a significant majority of her annual revenue is generated between October and December. And now, she may not be able to hire the seasonal employees she needs, rent the extra commercial kitchen space she needs, and, and, and. And, she’s never defaulted on a single payment in the past and only carries debt when she needs to.

It’s frustrating to hear the media spew comments from “the general public” who feel that the current credit crisis is a wall street/rich person’s problem. It’s impacting everyone, some are just lucky enough not to feel it right this moment. But it will eventually touch everyone.

I hope the people in Washington wake up and smell the coffee. Soon.

By Gwen Ashley Walters | JUNE 20, 2008 | RESTAURANT JOURNAL

It’s true…. I’m writing for PHOENIX Magazine now. I had only told a couple of friends because I wanted to see my name in print before I started telling the world. Just because I turned in articles, didn’t mean they would soak up ink on a page, I thought. But today, a friend forwarded me a blog entry from the Phoenix New Times restaurant critic, Michele Laudig.

She writes in her 6/19 post that the magazine unveils three new scribes, including me. I haven’t seen the July issue yet…it’s June 20, for crying out loud… but regular subscribers apparently get the next month’s issue about two weeks before it hits the newsstand.

I am extremely honored to write for PHOENIX Magazine. I loved reading long-time critic Nikki Buchanan’s reviews, even though I didn’t always agree with her, nor experience the same dining experience she did that formed the basis of her reviews.

Not often, but occasionally, I thought her choice of words were brutal and unnecessarily hurtful. There are ways to convey you have issues with food and/or service without interjecting heart-piercing words. But I admired her talent for writing — describing food so that the reader could taste it — and her wealth of knowledge about food and restaurants in general.

Before I agreed to write for the magazine, I met with the editor. Rumors were swirling about the circumstances of Buchanan’s departure. It was a “He said, she said,” scenario. I grew up as the daughter of a newspaper editor. My Dad had built a figurative firewall around his news/editorial department that the advertisers were constantly trying to climb over. He never once caved in even though the pressure, at times, was unrelenting.

I felt comfortable enough after my meeting with the editor to start writing for the magazine, and I made it excruciatingly clear that I would bail if anything happens in the course of my work for them that compromises my standards. I do understand that advertisers bring money to the table. I also understand that the real customer is the reader, and the reader has every right to expect and receive credible information from the writers that is in no way influenced by advertising dollars.

My goal, in writing for PHOENIX Magazine, as it is for every other client I write for, is to be honest, to entertain, and to share the passion of food I have with all who read what I write.

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